Netflix Film of the Week: The Insider
The FILM IN WORDS Netflix Film of the Week: helping you navigate the filmic minefield of the nation’s favourite video streaming service.
Read MoreThe FILM IN WORDS Netflix Film of the Week: helping you navigate the filmic minefield of the nation’s favourite video streaming service.
Read MoreWords: Emmett Barlow Twitter: @EmmettBarlow BLOOD RED MOON For the past four decades on the date of the winter solstice, young women have been abducted from the town of Fawnskin, only to be found, days later, lifeless; their bodies brutalised and their blood drained in the Black Water Forest. Having believed they’ve apprehended the culprit, […]
Read MoreWords: Brody Rossiter Twitter: @BrodyRossiter OUT OF FOCUS Today an abundance mediated sources saturate our daily lives. From the application loaded smartphone in your pocket, to the perpetual uncertainties of round-the-clock rolling news, such an influx of words and pictures has perhaps resulted in a level of complacency when regarding the true importance of an […]
Read MoreWords: Emmett Barlow Twitter: @EmmettBarlow BLUE SONGS ARE LIKE TATTOOS Never before has the Palme d’Or been simultaneously awarded to a single film’s director and lead actors. Led by Steven Spielberg, the jury at last year’s Cannes Film Festival saw it fit to award the coveted prize to director, Abdellatif Kechiche, and his committed lead […]
Read MoreThe FILM IN WORDS Netflix Film of the Week: helping you navigate the filmic minefield of the nation’s favourite video streaming service.
Read MoreA VIEW FROM OTHER WINDOWS This isn’t the first time Wes Anderson has taken his audience by the hand and led them through the oversaturated grandeur of luxury accommodation. Starring Jason Schwartzman and Natalie Portman, 2007’s Hotel Chevalier – a 13-minute short written and directed by Anderson – acted as a bittersweet narrative precursor to […]
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