Review: The Ealing Studios Collection: Volume One

ENGLISH HERITAGE Over half-a-century later from their initial cinematic release, the pictures contained in Volume One of Ealing studios’ Blu-ray collection stand as shining examples of the illustrious English studio’s post-war comedy output. Including three comedic follies, this Blu-ray compilation offers the perfect opportunity for life-long fans to become reacquainted, and newcomers to be introduced […]

Read More

This is Spinal Tap 30th Anniversary Edition Review

Words: Andy Procter Twitter: @Procodile NO SLEEP TILL STONEHENGE The Rob Reiner classic, This is Spinal Tap, has become the definition of mockumentary since its original 1984 release. The story of an ageing British heavy metal band’s comeback tour across the USA with their 12th album Smell the Glove, is still an essential slice of […]

Read More

The Early Films of David Gordon Green

HEARTBREAK ON THE EDGE OF TOWN Prior to the narrative missteps of stagnant stoner comedies, medieval make-believe and midnight child-minding misadventure, director David Gordon Green carefully crafted graceful, heartfelt and deeply moving cinema. The young filmmaker’s insular stories shadowed unremarkable individuals through rural small town communities, observing their relationships with one another, allowing seemingly mundane […]

Read More

Umbrellas of Cherbourg Review: She’s a Rainbow

Words: Brody Rossiter Twitter: @BrodyRossiter J’ADORE MON AMOUR? Umbrellas of Cherbourg (Les Parapluies de Cherbourg) first received its theatrical release in 1964, courting over one million cinema admissions in France alone. Fifty years later the film has received a special 50th anniversary restoration release – but has this colourful French gem truly stood the test […]

Read More

Only God Forgives Review: Restless Sinners

CITY OF DEMONS Without a shadow of a doubt Only God Forgives is one of the most unsettling, relentlessly oppressive and utterly compelling films of the 21st century. It is not a typical Nicolas Winding-Refn picture, nor is it a typical Ryan Gosling flick, and using 2011’s Drive as our primary piece of empirical evidence, […]

Read More