Milius Review: Directing Legends

Teddy Bear with an AK-47 John Milius’ bear-like shoulders have bore many titles throughout his infamous career in cinema as both a writer and director; visionary, fascist, zen anarchist, threat to western civilization, but most importantly a true filmmaking great. Milius was born and raised in the American Midwestern town of St. Louis, Missouri. The […]

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Streets of Fire Review: Hot in the City

STREETS OF RAGE Those familiar with Walter Hill’s filmography will also be aware of how the director and screenwriter became an integral part of late seventies, early eighties cult moviemaking. With titles such as The Driver (1978), The Warriors (1979) and Southern Comfort (1981) Hill’s work has grasped hold of generations of viewers with its […]

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Nobody’s Daughter Haewon Review: Love & Loneliness

TEACHER STUDENT RELATIONSHIP Idealistic Haewon (Jung Eunchae) desperately wants to abscond from a life in which she is simply “just living” day to day in her isolated village on the edge of Seoul, South Korea. Following her mother’s move to Canada in the hope of starting anew, Haewon is left seemingly stranded and alone – […]

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Silence Review: Wild at Heart

ENJOY THE SILENCE Following a self-imposed exile of nearly fifteen-years, sound-recordist Eoghan leaves Berlin and returns to his native land of Donegal, Ireland. Intending to record the naturalistic melodies of his desolate yet wildly beautiful homeland, Eoghan embarks upon a journey which draws him into a series of surreal and revealing interactions with the land’s […]

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Bring Me the Head of Machine Gun Woman Review

KISS KISS BANG BANG Quentin Tarantino and Robert Rodriguez carved careers out of their bloody homages to late 60’s and early 70’s cinema, as films such as Reservoir Dogs (1992) and From Dawn Till Dusk (1996), successfully balanced elements of contemporary horror and action cinema with subversive narratives and good ol’ blood splattered violence. Gradually […]

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Like Someone in Love Review: Tokyo City Nights

THE POETICS OF SPACE Iranian director Abbas Kiarostami’s last film, 2010’s Copie Conforme (Certified Copy) earned Juliette Binoche a Best Actress Award at the year’s Cannes Film Festival for her depiction of a French antiques dealer thrust into a Tuscan romance. Once again Kiarostami’s narrative focuses upon a beguiling female lead and her chance interactions […]

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